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MY LIST OF THE MOST POWERFUL PEOPLE OF 2023: VINTA NANDA

In a world dominated by mainstream narratives and established structures, the celebration of independent art, business, social work, and litera...

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THESE CHAMPIONS OF A MODERN INDIA INSPIRED ME IN 2023: RADHIKA KHERA

I, Radhika Khera, will unveil India's modern visionaries, who advocate day after day and against all odds, for the nation that was imagined by ...

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WHO’S TO BE BLAMED: THE FILM OR INDIAN AUDIENCES

Leher Sethi walks us through the many reasons why as a society we are to blame as much for the toxic misogyny and sexism in th...

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DILIP KUMAR AT 101

Physically Dilip Kumar lived for 99 years (11th December 1922 to 7th July 2021). But like a loved and revered ancestor he...

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SOME LIKE IT CHILLED!!

Why? What is it about ghosts, paranormal and horror tales that is so seductive, enticing and thrillingly scary? What is behind our fascination ...

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TRIALS AND TRIBULATIONS OF MAKING ARTHOUSE CINEMA

In a free-flowing conversation with Shantanu Ray Chaudhuri, Suman Ghosh talks of dealing with the disappointment of Aadhaar, t...

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IS DIGITAL TECHNOLOGY KILLING…INTIMACY??

Monojit Lahiri does a check out on how technology has impacted the idea of intimacy and the concept of interpersonal communica...

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TIGHTROPE WALK FOR JOURNALISTS IN THE MAINSTREAM

Here, taking off from a few discussions at the Orange City Literature Festival she attended, Vinta Nanda looks at ‘ethic...

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UNDERSTANDING TRUE FEMINISM FROM KAINAZ JUSSAWALLA

When a true feminist speaks, her words are like leaves floating right before they rest their feet on the ground. Here’s Kainaz Ju...

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GAIETY-GALAXY: & THE BLACK MARKET

Sharad Raj elaborates on the calculations his wife and he made at the beginning of their life together in Mumbai, which led to...

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